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There’s no separating the unparalleled legacy of the Doobie Brothers from their latest release World Gone Crazy. World Gone Crazy is another chapter in one of the great American music stories, but it’s neither comeback nor nostalgia. An exhibition of aggressive and emotional performances, evocative storytelling, unapologetic attitude and world class musicianship, the collection is its own justification.
In a sense, World Gone Crazy is an analogy for the Doobie Brothers as a whole. With founding members Tom Johnston and Pat Simmons, and 30 year-plus veterans John McFee and Michael Hossack, the Doobies have perfectly honored the band’s legacy with an offering that grows in unexpected new directions. Aside from a few years of inactivity in the mid-eighties, the Doobie Brothers have continued to perform, create and record for over 21 consecutive years. "The Doobies have always been about playing live," Johnston says. "We’re not a studio hot house group and we’re not a concept album band. We’ve always just brought in the tunes we had, put them together and made an album. That’s the way it’s been from the very first album and that’s still the way it’s being done." If World Gone Crazy is a microcosm of the (greater) Doobie Brothers, then the Doobie Brothers are as appropriate a projection of American music as can be found in one long running association of musicians. "This band represents a lot of American music styles," Johnston says. "From the finger-picking stuff that Pat does – and John can do as well – to blues, jazz, rock and roll. By the time you get done you’ve got, to lift a song title from another group, an American band."
Like the nation that spawned the many musical styles they’ve adopted, the Doobie Brothers’ deepest traditions are change, growth, striving and an abiding faith in the future. And so World Gone Crazy pays tribute to the Doobie Brothers legacy the most appropriate way possible … by moving resolutely forward.